Thursday, June 17, 2010




Progression Magazin Nr. 58 (Fall 2009)

eloah - Ode To Brother Horn




TOTAL RATING 14 (of 16)

Mining the same musical territroy as Stomu Yamashta and Jade Warrior, Austrian artist-musician Elmar C. Fuchs is a new age master with a progressive-rock sensibility. Over the past 25 years, Fuchs (Eloah) has produced a handful of evocative releases merging Eastern and Western music in ways that suggest a kind of Transcendental Meditation. His latest offering, Ode To Brother Horn, is no exception.

Standout tracks a la "Paradise Lost" and "Listen To Your Soul" layer shimmering acoustic guitar flourishes over fluid piano, flute and synthesizer blends. The harder-rocking "Human Legacy" features a strong vocal performance and driving beat, yet maintains Fuchs' restrained, cathartic approach. The only real quibble here is Fuchs' limited vocal range. But he compensates by treating the singing - sometimes whispered, shouted, growled or spoken - to enhance his voice's depth and variety. In the end, the overall affect is nothing short of enchanting. - Nick Tate Nov. 8 2009

eloah - Ode To Brother Horn

Austrian musician Eloah dedicates his latest album to his late mentor and soul brother Jörg Horner, known affectionately as “Brother Horn.” The album is a collection of beautiful and rather haunting songs sprinkled with Eloah’s low bass voice floating above lush melodies and classic rock elements.

The second song off the record, “Paradise Lost” sounds like a melancholy hit with its sad yet poetic lyrics and stellar guitar arrangements while “Chjong Nadah Boo” introduces crashing drums and effervesant vocalizations that juxtapose Eloah’s soft singing only to then re-establish dominance throughout the chorus.
“Iron Lady” begins with such an enticing melody that it seems a shame that the artist takes the song in a different direction. So different in fact, that it ends up sounding like a mash up between death metal and acoustic rock acompanied by his dark and heavy vocalizations. “You Have Never Been Mine” on the other hand sounds strangely familiar to the Beatles except for injections of a gravely voice repeating “never ever” during the chorus.
Elsewhere, “Hymn to Brother Horn” is an instrumental track filled with electronic melodies fueled by heavy rock infleunces and “Eloah (A Dirge for Brother Horn)” is a soft piano ballad. To display his diverse use of instrumentation and elements, “Listen to Your Soul” is alike a Simon and Garfunkel tune mixed with jazz saxaphones and metal guitars. The result is catchy and engaging, a feat that is hard to pull off with such clarity and harmony.
The latter end of the record has a definite soft, melodic sound with Eloah singing in a hushed tone amongst seductive jazz saxaphone elements and guitar strumming like on the swaying “What You Mean To Me” and the equally mellow “Eyes Like a Lioness.” As a whole, Ode to Brother Horn is an enjoyable and innovative album that melds several distinct genres and sounds together. The only detractors to the album’s listenability are the handful of rather long tracks that would have worked better if they had been shortened, rather than adding on musical trains to finish.

Rukshan Thenuwara – Staff

New Music Spotlight April 2009 Edition

Isaac Davis Jr., MBA (

Are you ready to take a musical journey that will have you captivated and mesmerized from the very beginning? Are you ready to open your mind to something new that will broaden your horizon on music? If you answered yes to these questions, then I present to you an artist community with many members collectively known as eloah. With a fusion of many different genres including New Age, Ambient, and Rock, their sound is successfully unique. One of the members behind eloah, Elmar, recently spoke to me in this in-depth and enlightened interview with our Webzine. Enjoy!

Isaac: How do you sum up 2008 for eloah?

Elmar of eloah: 2008 was an excellent year for eloah. After more about 3 years in the studio, I managed to complete our latest project: The recording of the (official) "first" album "Ode To Brother Horn" which was originally recorded in 1995 on a CD-R (which was brand new for us at that time). However, since the few copies of that era were sold quickly - and the live repertoire always contained two highlights of this CD, paradise lost and iron lady, the decision to present these songs (and all the others on this album) in decent quality also on a disc finally lead to a product we are proud of: "Ode to Brother Horn". There is also a very sad reason which encouraged me to make this CD extraordinary: My best friend Jörg Horner ("brother horn") unexpectedly died in 2004 - so I dedicate this album to his memory - and especially to his widow and his daughter.

Isaac: Expound a little about growing up in Leeuwarden, Netherlands.

Elmar of eloah: Well, actually I grew up in Klagenfurt, Austria, a small city with about 85,000 inhabitants (at that time) until the age of 14, when my parents moved to a neighboring village with only 3,000 inhabitants. I never really felt well there - it was too quiet, and I continued to see my friends back in Klagenfurt until the age of 19. Then I moved to Graz, another Austrian city with about 250,000 inhabitants, were I completed my studies - and lived until last September. It was in Graz were eloah was founded, where I met most of my fellow musicians and where we played most of our concerts. Actually, the CD "Ode To Brother Horn" is the last product of that era.

Isaac: Describe the music scene in Leeuwarden, Netherlands.

Elmar of eloah: Well, since I live there since last September, it is a little bit difficult to do. But there is one thing I found out: Although Leewarden is not really big (about 100,000 inhabitants); there are lots of small live rock/metal/alternative concerts - something I really enjoy. Unfortunately, since no fellow musician moved with me to the Netherlands, we had no possibility to play live here.

Isaac: What do you feel was your biggest accomplishment for 2008?

Elmar of eloah: That is, as I described in the sum-up for 2008, the production of the "Ode To Brother Horn" CD.

Isaac: Elaborate a little about whom were your biggest influences in the music industry and why?

Elmar of eloah: Here I can only speak for myself, not for my fellow musicians. This is important, because although I am responsible for composition and arrangement of the music, my colleagues are more or less completely free concerning their contribution - thus one might easily hear influences in eloah music which stem from one of my fellow musicians. For me, the influences seem quite dispersed: On one hand, I really love the Dutch singer Herman Van Veen, or the German singer Reinhard Mey. However, I am also a big fan of classic metal like Iron Maiden, Savatage, Manowar, Virgin Steele, Testament or - of course - old Metallica. Then, my favorite classical composer is Dimitri Shostakovich - the first Cello Concert, the 8th Symphony or the 8th String Quartet are my favorites. I have sometimes heard that eloah sounds a little like King Crimson. However, although I have been curious how this band sounds like, I do not consciously know any song of them. Perhaps I should buy an album one day.

Isaac: Let's talk about what you feel you will bring to the music industry?

Elmar of eloah: Details. And heart. Some of our fans say that they like eloah because it is heart blood music. When listening to new acts, I sometimes miss the heart of the music - or its balls, how my old friend and guitarist Peter Jaklitsch would put it.

Isaac: If you had an opportunity to work with one artist or group, who would it be and why?

Elmar of eloah: I would like to work with Herman van Veen - I admire his singing and violin playing skills, I adore his humor - and I think it would be fun.

Isaac: How would you describe your music to others?

Elmar of eloah: Singer/Songwriter music with rock, new age, metal and rare jazz elements.

Isaac: What is your definition for New Age/Ambient Music?

Elmar of eloah: Listening to broad synthesizer waves with birds or whales singing, music to relax, meditate - or to simply fall asleep.

Isaac: What type of feedback have you received from your previous releases?

Elmar of eloah: We received some nice reviews from the local street paper "Megaphon" in Graz for "the end of wisdom - a musitale" as well as for "Mondstein" and "mondstein 2 - ample jazz". The Dutch reporter Holly Moors wrote an equally nice review about "silicon rhythm" in her on- line magazine.

Isaac: What has been the inspiration behind your CD Ode To Brother Horn released in 2008?

Elmar of eloah: Oh, I summed that up as well in the first answer. Originally, I recorded this CD for "brother horn" (Jörg Horner) who was my musical mentor when I was a teenager - and my best friend. His sudden death in 2004, just after the idea of a new recording of this CD was born, turned it into something more serious for me then - a testimony for a great friend, who will live forever - in my heart.

Isaac: What can fans expect from your latest CD, you are working on currently? What is the inspiration behind the CD?

Elmar of eloah: In my never ending endeavor to expand the eloah diversity of style whilst sticking to its leitmotif, I am currently working on a project together with a electronic/DJ artist - next to a acoustic project with guitar, contrabass and voice only. In both cases, and mainly in the last one, fans will find typical eloah topics and melodies.

Isaac: Where can fans locate you at online?

Elmar of eloah: Fans can locate eloah at the official homepage,, or at the eloah MySpace site, A nice overview over all CDs is give at the eloah CD baby site, - and on many more pages, most of which the official site links to.

Isaac: What can fans expect from eloah in 2009?

Elmar of eloah: In 2009, we have a few major projects: One is the production of two video clips (for "paradise lost" and "iron lady"), the shooting for which is already progressing; and secondly, the start of the guitar / contrabass project. And, of course, if the distance to my friends in Graz can somehow be overcome, some live shows.

Isaac: Time for some shout outs to your family, friends, and fans

Elmar of eloah: First, I would like to thank my fiancée Astrid for her kind support - and patience - during all the recording sessions in the past years. Then, of course, all my friends an supporters, most of all Michael Lukas, who has been enthusiastically and wonderfully contributing to the almost all CD projects - and Peter, Karin, Vladimir, Hoimar, Speedy, Roman, Maex... without you and your wonderful musical abilities, eloah would not have been possible. I send love to my parents, my sister and the rest of my family, and to my friends at Shindokan Dojo for their continuous support. And, last but not least, a big hug to all our fans.

Isaac: Final words from eloah…

Elmar of eloah: It has become a fashion today for musicians to point out that you do not make music for money, but for - well, here the big bands differ - the fans, the art, whatever. It is easy to say that when you are a well known artist and sell hundredths of thousands of CDs. After a history of 13 years where eloah certainly spent more in our great passion than we might ever earn with it, I think it is safe to say that money never was or will be our driving force. We are in the happy position of living good lives with good jobs we like. But we won't make music just to fulfill the wishes of anybody either. We like to express ourselves through music. The way we conceive our feelings and dreams. You are welcome to join.


"Ode to Brother Horn" Reviewed by

Chris & the Reviewer Team

“Ode to Brother Horn” is a great new age/progressive album from Austrian musician Eloah fueled by poetic lyrics and excellent guitar and piano work. This is an inspired album, a grouping of songs from the early ‘90s that Eloah presented to his then-mentor Jörg Horner (Brother Horn) whose memory this album is dedicated to. Eloah’s arrangements are truly exceptional, ranging from new age tracks with flute and saxophone to beautiful piano ballads to outstanding acoustic and electric rock compositions to riff-driven hard rock. Eloah’s vocal performance has variety to it, but it is ever-haunting, whether he sings in his natural deep bass or in a quiet near-whisper. “Ode to Brother Horn” is well-produced, and the entire album sounds clean and professional. “Paradise Lost” features some great acoustic work, a nice drum beat, and a chilling vocal performance. “You Have Never Been Mine” has a great arrangement that begins with a nice acoustic guitar and drum progression, and is then matched by electric guitar and piano. “The Human Legacy” has a more progressive hard rock sound with heavy guitar riffs, a nice beat, and haunting vocals. Eloah has put together an album that would make Brother Horn proud, filled with skillful arrangements and poetic lyrics. Fans of new age and progressive rock should definitely pick this one up.

-Chris & the Reviewer Team


"silicon rhythm." Reviewed by Holly Moors (in Dutch)

Holly Moors,

Veel muziek kun je altijd wel draaien, maar er zijn uitzonderingen. Voor iemand als Dylan moet ik echt in de stemming zijn, en andere muziek kan ik alleen draaien als ik een uitstekend humeur heb en het niet te druk is. De muziek van de Oostenrijkse Eloah is zulke muziek. Zit ik niet goed in mijn vel, dan kan ik hier ontzettend sjagrijnig van worden. Maar voel ik me prima, dan kan ik genieten van alle kwaliteiten die deze muziek heeft.

Het is ietwat onclassificeerbare muziek die je op Silicon Rhythm hoort. Soms is het pure hardrock inclusief vervormde rauwe stem, soms is het jazzrock, en op andere momenten hoor je vrolijke pop. Nou ja, vrolijk. Zelfs bij het vrolijkste deuntje weet Eloah de muziek enigszins onheilspellend te laten klinken. Er is steeds een verontrustende ondertoon. Wat dat betreft weet het hoesje de sfeer die de muziek uitstraalt wel goed te benaderen.

Maar Eloah schrijft goede liedjes (hij zingt overigens het allergrootste deel in het Engels), en arrangeert zijn muziek fraai, waardoor je ook na een aantal draaibeurten nog nieuwe details hoort. Verontrustend en goed dus. Niet voor elk moment en niet voor iedereen, maar het blijft een intrigerend avantgardistisch album.


"the end of wisdom" Reviewed by the Megaphon Magazine (in German)

Es gibt da einen lustigen Satz in "The End of Wisdom. A Musitale", der Musical-Produktion von Eloah - manische MusikliebhaberInnen rund um den Grazer Elmar Fuchs: "Look for God with your internet search machine!" Eben: Ende der Weisheit. Auch sonst hat "The End of Wisdom" Qualitäten, die kommerzielle Musicalproduktionen nur unter Einsatz von Millionenbudgets realisieren: eine prägnante Story - Held will Welt verbessern, stirbt. -, eine gehörige Portion Romantik und nicht immer perfekt sitzende Stimmen. Auch wir sind geneigt zu glauben: "For one day the dreamers will win" Info / Bestellung:


"Mondstein / Mondstein 2 - ample jazz" Reviewed by the Megaphon Magazine (in German)


Keinen Vergleich scheuen muss "Mondstein 2. Ample Jazz", die neue Produktion aus dem Umkreis des eigenwilligen Eloah-Do-it-yourself-Kollektivs. Und das aus dem einfachen Grund, weil sich auch diese Platte, ähnlich dem Musical-Vorgänger "The End of Wisdom" sowie das 2002 aufgenommene Album "Mondstein" mit zehn Low-Fi-Suiten in keinem bekannten Referenzsystem befindet. Ein vermutlich freier Strom von Flöten, Piano, Schlag- und Mundwerk. Unglaublich! Info:

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